Larson’s character will return to theaters just seven weeks later in Avengers: Endgame, a pivotal movie for the studio that will establish the key heroes in the next era of Marvel movies. “There were a lot of men in that initial run of Avengers.” “We feel like it’ll be the first of many,” says Marvel Studios president Kevin Feige, when asked why it took so long to make a Marvel movie with a female lead. While Larson may resist the historical significance of Captain Marvel, the company making this film knows it has been a long time coming, and its arrival in theaters is freighted with meaning. It’s a level of anonymity that will almost surely disappear after March 8, when Larson opens her giant movie, the movie about a woman who shoots photon blasts from her hands and grapples with extraterrestrial shape-shifters while atop a speeding train, the movie that definitely will not determine the entire fate of women forever and ever. With her hoodie pulled down low to just above her wide brown eyes, she goes unrecognized, even when she steps up from the table to demonstrate a type of lunge in the middle of the restaurant. People just push us away once the movement gains momentum and act like we were never really there.”Īfter dance class, Larson digs into two slices of soppressata pizza in a cafe full of entertainment industry professionals on their lunch breaks from the nearby Paramount lot. We have been part of every major art movement. “I know it’s exciting and fun to be like, ‘Will it sink or will it float?’ ‘What’s going to happen?’ ‘Can women exist in the world?’ ‘We’re not sure yet!’ But women have been opening movies since the silent era. “There’s this sense of setting this thing up,” Larson says. But, three years after she won an Oscar for her performance in the indie drama Room, the 29-year-old actress is confident enough to reject your media narrative about box office stakes and the fate of women and blah blah blah because Larson has read this story before and she knows how it ends. Yes, she is playing the title role in the more than $150 million Captain Marvel, the 21st movie in the Marvel Cinematic Universe and first ever from the wildly successful Disney division to be fronted by a woman. This dance studio is where Larson comes to feel empowered - occasionally via the outstretching of jazz hands - and that means you can spare her any “you-go-girl” lines or confetti cannons full of condescension.
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